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Here are 100 standout books by art historians and specialists covering the artists in your lists and their movements, ordered roughly by period. (Your list includes Apelles, Zeuxis, Parrhasius, the icon painters, and everyone through Pop Art, so I've covered all those areas; per your earlier instruction I've left out Eastern and African art scholarship.)
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**Classical antiquity & icons (Apelles, Zeuxis, Parrhasius; Rublev, Theophanes)**
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1. J. J. Pollitt — *Art and Experience in Classical Greece* (1972)
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2. J. J. Pollitt — *The Art of Ancient Greece: Sources and Documents* (1990)
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3. Ernst Gombrich — *Art and Illusion* (1960; central discussion of Greek mimesis and the Zeuxis/Parrhasius tradition)
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4. Viktor Lazarev — *The Russian Icon: From Its Origins to the Sixteenth Century* (English ed. 1997)
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5. Robin Cormack — *Icons* (2007)
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**Trecento & Early Renaissance (Cimabue, Giotto, Duccio, Simone Martini, Masaccio, Fra Angelico, Castagno, Ghirlandaio, Botticelli)**
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6. Giorgio Vasari — *Lives of the Artists* (1550/1568; the founding text)
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7. Bernard Berenson — *The Italian Painters of the Renaissance* (1930 collected ed.)
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8. John White — *Art and Architecture in Italy 1250–1400* (1966)
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9. Millard Meiss — *Painting in Florence and Siena after the Black Death* (1951)
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10. Bruce Cole — *Giotto and Florentine Painting 1280–1375* (1976)
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11. Francesca Flores d'Arcais — *Giotto* (1995)
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12. John White — *Duccio: Tuscan Art and the Medieval Workshop* (1979)
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13. Andrew Martindale — *Simone Martini* (1988)
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14. Michael Baxandall — *Painting and Experience in Fifteenth-Century Italy* (1972)
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15. Paul Joannides — *Masaccio and Masolino: A Complete Catalogue* (1993)
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16. John Pope-Hennessy — *Fra Angelico* (1952, rev. 1974)
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17. Diane Cole Ahl — *Fra Angelico* (2008)
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18. Herbert Horne — *Alessandro Filipepi, Called Sandro Botticelli* (1908; still the classic monograph)
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19. Ronald Lightbown — *Sandro Botticelli: Life and Work* (1978)
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20. Jean Cadogan — *Domenico Ghirlandaio: Artist and Artisan* (2000)
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**High Renaissance (Leonardo, Michelangelo, Raphael, Giorgione, Titian)**
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21. Heinrich Wölfflin — *Classic Art* (1899)
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22. Sydney Freedberg — *Painting of the High Renaissance in Rome and Florence* (1961)
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23. Kenneth Clark — *Leonardo da Vinci* (1939)
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24. Martin Kemp — *Leonardo da Vinci: The Marvellous Works of Nature and Man* (1981)
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25. Charles de Tolnay — *Michelangelo* (5 vols., 1943–1960)
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26. Howard Hibbard — *Michelangelo* (1974)
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27. Roger Jones & Nicholas Penny — *Raphael* (1983)
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28. John Pope-Hennessy — *Raphael* (1970)
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29. Salvatore Settis — *Giorgione's Tempest: Interpreting the Hidden Subject* (English ed. 1990)
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30. Johannes Wilde — *Venetian Art from Bellini to Titian* (1974)
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31. Harold Wethey — *The Paintings of Titian* (3 vols., 1969–1975)
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32. Charles Hope — *Titian* (1980)
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33. David Rosand — *Painting in Cinquecento Venice* (1982)
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**Northern Renaissance (van Eyck, Bosch, Dürer)**
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34. Erwin Panofsky — *Early Netherlandish Painting* (1953)
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35. Otto Pächt — *Van Eyck and the Founders of Early Netherlandish Painting* (English ed. 1994)
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36. Craig Harbison — *Jan van Eyck: The Play of Realism* (1991)
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37. Charles de Tolnay — *Hieronymus Bosch* (English ed. 1966)
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38. Walter Gibson — *Hieronymus Bosch* (1973)
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39. Erwin Panofsky — *The Life and Art of Albrecht Dürer* (1943)
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40. Joseph Koerner — *The Moment of Self-Portraiture in German Renaissance Art* (1993)
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**Mannerism (Pontormo, Bronzino, Parmigianino, El Greco)**
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41. John Shearman — *Mannerism* (1967)
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42. Sydney Freedberg — *Painting in Italy 1500–1600* (1971)
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43. Cecil Gould — *Parmigianino* (1994)
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44. Maurice Brock — *Bronzino* (2002)
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45. Elizabeth Cropper — *Pontormo: Portrait of a Halberdier* (1997)
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46. Harold Wethey — *El Greco and His School* (1962)
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47. Fernando Marías — *El Greco: Life and Work — A New History* (2013)
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**Baroque (Caravaggio, Gentileschi, Rubens, Rembrandt, Velázquez, Poussin, Claude)**
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48. Rudolf Wittkower — *Art and Architecture in Italy 1600–1750* (1958)
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49. Walter Friedlaender — *Caravaggio Studies* (1955)
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50. Howard Hibbard — *Caravaggio* (1983)
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51. Helen Langdon — *Caravaggio: A Life* (1998)
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52. Mary Garrard — *Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art* (1989)
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53. Michael Jaffé — *Rubens and Italy* (1977)
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54. Kristin Lohse Belkin — *Rubens* (Phaidon, 1998)
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55. Jakob Rosenberg — *Rembrandt: Life and Work* (1948)
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56. Svetlana Alpers — *Rembrandt's Enterprise: The Studio and the Market* (1988)
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57. Ernst van de Wetering — *Rembrandt: The Painter at Work* (1997)
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58. Simon Schama — *Rembrandt's Eyes* (1999)
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59. Jonathan Brown — *Velázquez: Painter and Courtier* (1986)
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60. Anthony Blunt — *Nicolas Poussin* (1967)
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61. Marcel Röthlisberger — *Claude Lorrain: The Paintings* (1961)
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**Eighteenth century (Watteau, Boucher, Fragonard, Kauffman)**
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62. Donald Posner — *Antoine Watteau* (1984)
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63. Michael Levey — *Rococo to Revolution* (1966)
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64. Alastair Laing et al. — *François Boucher 1703–1770* (Met exhibition catalogue, 1986)
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65. Pierre Rosenberg — *Fragonard* (Met exhibition catalogue, 1988)
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66. Angela Rosenthal — *Angelica Kauffman: Art and Sensibility* (2006)
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**Neoclassicism & Romanticism (David, Ingres, Goya, Géricault, Delacroix, Turner, Constable, Friedrich)**
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67. Robert Rosenblum — *Transformations in Late Eighteenth Century Art* (1967)
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68. Anita Brookner — *Jacques-Louis David* (1980)
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69. Robert Rosenblum — *Jean-Auguste-Dominique Ingres* (1967)
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70. Fred Licht — *Goya: The Origins of the Modern Temper in Art* (1979)
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71. Janis Tomlinson — *Goya: A Portrait of the Artist* (2020)
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72. Lorenz Eitner — *Géricault: His Life and Work* (1983)
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73. Barthélémy Jobert — *Delacroix* (1998)
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74. Andrew Wilton — *J. M. W. Turner: His Art and Life* (1979)
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75. John Gage — *Colour in Turner: Poetry and Truth* (1969)
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76. Michael Rosenthal — *Constable: The Painter and His Landscape* (1983)
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77. Joseph Koerner — *Caspar David Friedrich and the Subject of Landscape* (1990)
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**Realism (Courbet, Millet, Daumier, Corot)**
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78. Linda Nochlin — *Realism* (1971)
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79. T. J. Clark — *Image of the People: Gustave Courbet and the 1848 Revolution* (1973)
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80. T. J. Clark — *The Absolute Bourgeois: Artists and Politics in France 1848–1851* (1973; Millet and Daumier)
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81. Peter Galassi — *Corot in Italy* (1991)
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**Impressionism (Manet, Monet, Renoir, Degas, Pissarro)**
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82. John Rewald — *The History of Impressionism* (1946; still the standard narrative)
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83. Robert Herbert — *Impressionism: Art, Leisure, and Parisian Society* (1988)
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84. T. J. Clark — *The Painting of Modern Life: Paris in the Art of Manet and His Followers* (1985)
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85. Michael Fried — *Manet's Modernism* (1996)
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86. Paul Hayes Tucker — *Claude Monet: Life and Art* (1995)
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87. Barbara Ehrlich White — *Renoir: His Life, Art, and Letters* (1984)
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88. Jean Sutherland Boggs et al. — *Degas* (1988 exhibition catalogue; the standard reference)
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89. Richard Brettell — *Pissarro and Pontoise* (1990)
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**Post-Impressionism & Symbolism (Cézanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Munch, Redon, Puvis, Böcklin, Klimt, Beardsley, Mucha)**
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90. John Rewald — *Post-Impressionism: From Van Gogh to Gauguin* (1956)
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91. Meyer Schapiro — *Paul Cézanne* (1952)
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92. Roger Fry — *Cézanne: A Study of His Development* (1927)
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93. Jan Hulsker — *The New Complete Van Gogh* (1996)
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94. Debora Silverman — *Van Gogh and Gauguin: The Search for Sacred Art* (2000)
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95. Richard Brettell et al. — *The Art of Paul Gauguin* (1988 exhibition catalogue)
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96. Robert Herbert — *Seurat and the Making of "La Grande Jatte"* (2004)
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97. Julia Frey — *Toulouse-Lautrec: A Life* (1994)
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98. Reinhold Heller — *Munch: His Life and Work* (1984)
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99. Douglas Druick et al. — *Odilon Redon: Prince of Dreams* (1994)
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100. Carl Schorske — *Fin-de-Siècle Vienna: Politics and Culture* (1980; the classic frame for Klimt)
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I stopped at a strict 100, which meant the twentieth-century avant-gardes got squeezed out. If you'd like, I can give you a second list of ~40 covering the rest of your artists — the essentials there would be things like Alfred Barr's *Matisse*, John Richardson's *A Life of Picasso*, John Golding's *Cubism*, Camilla Gray's *The Russian Experiment in Art* (Malevich, Tatlin, Rodchenko, Popova), Werner Spies on Ernst, Dawn Ades on Dalí, Jacques Dupin on Miró, Irving Sandler's *The Triumph of American Painting* (Pollock, Rothko, de Kooning), and Lucy Lippard's *Pop Art* (Warhol, Lichtenstein, Hamilton). Just say the word.
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