Movement halls routed 24 of the 26 movements through 8 generic detail kinds,
four of which (modern, industrial, atelier, museum) rendered nothing at all,
and `salon` was a single ceiling ring shared by eight movements.
`details` is now a 26-value MovementDetailKind, one per movement, each built
from the architecture of the same period as the movement itself. Gothic and
Byzantine are unchanged and stay in MovementHallDetails.tsx as the reference
implementations; the rest live under components/hall-details/, split by era,
over shared wall-flush primitives.
hall-details/geometry.ts records the budget the Gothic and Byzantine
components established, since frames hang 0.23 m proud with a 0.7 m clear
margin at each wall end: relief limits above and below the frame line, corner
pockets for freestanding masses, doorway and title-band clearance, and a cap
of two added lights per hall. Halls now pass their computed windows down so
upper-wall panels, arches and roundels step around the openings.
Also holds the pale interiors back from blowing out: gallery wall tints are
authored around 0.50-0.56 luminance instead of near-white, and the 19 halls
that read too bright take lightScale 0.30, matching the basilica.
Verified by rendering all 26 interiors offline at two hall sizes and
measuring the scene graph: nothing through walls, floor or ceiling, maximum
0.17 m intrusion into the hang zone, at most two added lights per hall.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Replace the flat gold-mosaic chapel with marble revetment walls, a
Cosmatesque stone floor, and a coffered timber ceiling, matching
Santa Sabina / San Vitale reference interiors.
New procedural surfaces in galleryProceduralTextures.ts:
- marble-revetment: book-matched veined panels in moulded travertine
surrounds (each panel mirrored about its centre)
- marble-opus-sectile: cut-stone bays with diagonal diamond inlays and
corner triangles in porphyry, verd-antique, giallo, and grey
- coffered-wood: recessed walnut coffers with lit beam chamfers
Add a byzantine detail set to MovementHallDetails.tsx: engaged porphyry
colonnettes with white-marble basket capitals and impost blocks carrying
the ceiling, a marble revetment dado, and hanging brass polycandela.
Colonnettes stay flush in the corner pockets so they do not clip the
~0.7m frame hang margin.
Basilicas are lit by shafts from high windows rather than evenly
flooded, but the shared hall lights carry a brightness floor that
prevented dimming. Add an opt-in lightScale to the interior style that
scales the scene, hall, track, and HDR environment lights. It defaults
to 1, so all other halls are unchanged; only Byzantine opts down. Window
fill lights are left unscaled so the daylight shafts still read.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Cap shared hall lights (no per-painting spots) so MeshStandard walls stay within WebGL limits, tuck classical/neoclassical details into engaged corner pilasters, and document the light budget.
Co-authored-by: Cursor <cursoragent@cursor.com>
Configure hosting for gallery.mysuperlab.netcraze.pro and LAN access, enhance movement gallery textures with period-appropriate painted materials, dedupe influenced-by API responses via painting_influence_sources, and refresh several painting image files.
Co-authored-by: Cursor <cursoragent@cursor.com>
Movement galleries split large catalogs into chronological wings (~55 works), use era-themed 3D interiors with side-wall windows, wing navigator on the back exit, and front archways between wings. Also adds painting annotations, timeline event guides, portrait hover highlights, and documentation/API updates.
Co-authored-by: Cursor <cursoragent@cursor.com>
