Rework Gothic hall as a stone nave interior.

Add gothic ashlar/vault/floor textures, compound piers with transverse ribs, proper lancet arches, textured door-flanking panels, and lightScale for shaft-lit naves. Docs updated in basics and data-and-images.

Co-authored-by: Cursor <cursoragent@cursor.com>

Documentation/basics.md

@@ -336,11 +336,13 @@ Enter from the home page by clicking a **movement name** on the movement flow. F
 | Wall order | Same U-shaped hang as artist halls (left → end → right) |
 | Frame captions | **Year · artist** label below each frame |
 | Period interior | Each of the 26 seeded movements maps to a unique style in `movement-interior-styles.ts` (Italian palazzo, Baroque palace, Byzantine basilica, NYC loft, white cube, etc.). Style keys use a legacy id map (`DB_ID_TO_STYLE_KEY`: gallery ids **1–26** → authored keys **27–52**, with Northern/High Renaissance swapped) so Byzantine gets the basilica, not Gothic stone |
-| Wall materials | Hi-res **procedural textures** with normal maps (`galleryProceduralTextures.ts`): real-world stone, marble, wood panelling, brick, velvet, stucco, **marble revetment** (framed book-matched panels), **Cosmatesque paving** (`marble-opus-sectile`), **coffered timber** ceilings — plus **single-colour painted walls** (`painted-lime`, `painted-oil-matte`, `painted-oil-satin`, `painted-emulsion`, `painted-flat`) tinted per movement for Renaissance salons through modern white cubes |
+| Wall materials | Hi-res **procedural textures** with normal maps (`galleryProceduralTextures.ts`): real-world stone, marble, wood panelling, brick, velvet, stucco, **marble revetment** (framed book-matched panels), **Cosmatesque paving** (`marble-opus-sectile`), **coffered timber** ceilings, **blind-arcaded ashlar** (`gothic-ashlar`) and **ribbed vaulting** (`gothic-vault`) — plus **single-colour painted walls** (`painted-lime`, `painted-oil-matte`, `painted-oil-satin`, `painted-emulsion`, `painted-flat`) tinted per movement for Renaissance salons through modern white cubes |
+| Architecture in texture | Period halls that need arcades, vaults, or panelling draw that **relief into the texture** rather than adding geometry: `gothic-ashlar` paints a full storey (plinth → blind arcade → string course → triforium → cornice) into one tile whose `metersPerRepeat` equals `WALL_HEIGHT`, so it maps **once vertically** onto the wall; `gothic-vault` paints a quadripartite bay with tiercerons and a boss. Light/dark banding plus a high `normalStrengthFor()` makes it read as carved stone, keeping the mesh and light budget flat |
+| Door-flanking panels | Wall segments beside exit doors and passages take the hall's own wall texture (`GalleryWall` accepts `kind`/`tint`) instead of rendering as flat single-colour blocks next to textured walls |
 | Textures | Wall/floor/ceiling maps applied via `useTexturedMaterial`; movement **tints** drive painted-wall hue |
-| Windows | **Side walls only** — placed in gaps between frames when possible; if a wall is packed, high **clerestory** windows are still added so the hall keeps daylight (`computeSideWallWindows`) |
+| Windows | **Side walls only** — placed in gaps between frames when possible; if a wall is packed, high **clerestory** windows are still added so the hall keeps daylight (`computeSideWallWindows`). Styles are drawn in `GalleryWindows.tsx`; `gothic-lancet` builds a two-centred arch head from chords with a glazed spandrel, mullions, and transoms |
 | Lighting | Shared hall lights only (ambient / hemisphere / directional + capped ceiling track spots + one fill per window). See **light budget** below |
-| Period details | `MovementHallDetails.tsx` — classical / neoclassical use **shallow engaged corner pilasters** (never freestanding mid-hall or proud corner shafts that cover frames); `byzantine` adds engaged porphyry colonnettes with basket capitals, a marble revetment dado, and hanging brass polycandela |
+| Period details | `MovementHallDetails.tsx` — classical / neoclassical use **shallow engaged corner pilasters** (never freestanding mid-hall or proud corner shafts that cover frames); `byzantine` adds engaged porphyry colonnettes with basket capitals, a marble revetment dado, and hanging brass polycandela; `gothic` adds bay-spaced compound piers with vault springers, transverse ribs arching across the nave, and a moulded string course — all flush to the side walls |
 | Back wall | Single wing: solid display wall. Multi-wing: **Exit double doors** → **Wing navigator** or **Exit to Timeline** |
 | Front / entrance wall | Single wing: **Exit double doors** (leave the way you entered). Multi-wing: **“Next wing →”** archway when a later wing exists |
 | Influence lamps | Same golden upside-down emissive fixtures as artist halls when `has_influence_links` is true |